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					Press ReleaseCOALESCE: The Remix
 Project curated by Paul O'Neill
 
 
 Week 1: Launch Night May 13th.
					6.30pm-late.
 The production of the 'Coalesce' environment within which a
					programme of related artist' videos and performances will be
					presented, with artists: Kathrin
					Böhm, Oriana Fox, Jaime Gili,
					Clare Goodwin, Lothar Götz, Anthony
					Gross, Tod Hanson, Cyril
					Lepetit, Stefan Nikolaev, Harold
					Offeh, Mark Orange, Eduardo
					Padilha, Marko Raat. Screening followed
					by 'Coalesce Disco'.
 
 'Coalesce' is part of an
					on-going exhibitionary project,
					a mutating environment of overlapping exhibitions of painting,
					video, and text work in migration, and held at key
					locations. Works and curated projects coalesce and co-habit
					with one other, overlapping and interweaving in the gallery space to create one coalescent
					whole, yet always as a singular
					re-appearance, out of view of the embedded history of its
					serial mutations.
 
 Taking the conceptual-form of a pictorial plane, the
					exhibition will be divided into spatio-temporal zones:
					Background, Middleground and Foreground sections, each
					offering a grounding, or platform for one another.
					Forming the Background will be Tod Hanson's and Lothar Götz exhibition-specific wall
					paintings. Produced on site, it will be then overlaid
					with posters by Kathrin Böhm and Jaime Gili from their respective ongoing print projects.
					These works will overlap, migrating across the whole space at
					®edux.
 
 The Middleground will comprise of Eduardo Padilha's
					floor-works, providing mattresses and sleeping bags as
					if for a restful moment. In Padhila,s
					case, these are
					discomforting places of rest, made from unwanted,
					discarded beds that have been washed, dismantled and made
					anew. Clare Goodwin will additionally install sculptures which can be used as
					tables, plinths etc. by
					visitors.
 
 In the Foreground, a selection of video works including Oriana
					Fox, Anthony Gross, Harold
					Offeh, Mark Orange, Marko Raat and Stefan Nikolaev
					will be projected as part of a film screening, each examining notions of
					coalescence, co-habitation and the remixing of
					cultural forms, to be followed by a 'Coalesce
					Disco' on the launch
					night. The screenings will continue over the weekend.
					For the subsequent three weeks the space will then be super-imposed upon by other shows
					responding to the initial exhibition and installation.
 O'Neill has asked 3
					artists/curators: 1/ Sarah
					Pierce, 2/ Dave Beech and Mark
					Hutchinson, and 3/ temporarycontemporary to respond to the
					environment and use it according to their curatorial
					idea. These shows will operate as the new foregrounds to the show and be placed
					upon, installed on top of the initial work and operate within the initial
					'Coalesce' exhibition.
 
 Week 2: Curated by
					Sarah Pierce.
					Opens May 20th.
 Sarah Pierce is based in Dublin, and organises The Metropolitan
					Complex, a practice embedded in various formal and informal exchanges between
					people.
 Pierce will live as resident-guest in Paul
					O'Neill's apartment in
					London, while he simultaneously works in Dublin.
					Throughout the week, various background materials from the
					curator's home will appear in
					'Coalesce',
					selected by Pierce.
 In addition, Pierce will explore the possibilities of
 
 
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 'Coalesce' as a meeting place for a series of
					one-to-one conversations about
					surroundings, production and collectivity. This will
					entail non-public exchanges with invited guests, which
					will be made public at the end of the week in the form of a CD archive.
 
 Week 3: Curated by Dave Beech and Mark Hutchinson.
					Opens May 27th.
 Beech and Hutchinson will produce a special issue of the occasional journal, 'The First
					Condition'. For this exhibition it will be a
					photocopied, A5 booklet available free at the gallery.
					How it is installed in the exhibition will be worked out in relation to what is already there at the
					time. The journal will consist entirely of written texts,
					which is to say no photographs, illustrations or so on.
					The texts will also be posted on the website:
 www.thefirstcondition.com.
					They will invite all the participants who might be involved in the
					'Coalesce' project to contribute to the
					journal. However, we expect all contributions to deal
					directly with concerns, ideas,
					problems, etc., arising from
					the project.
 
 Week 4:
 Curated by temporarycontemporary. Opens June 3rd.
 During the week leading up to the 3rd June, Jen Wu and Anthony Gross of
					temporarycontemporary will curate 3 group shows, each taking the form of a private poker
					game. In this metaphorical situation, with the curators as
					dealers and exhibitors as gamblers, the card playing becomes a
					stand-in for the to and fro of socialised culture production.
					The outcome is partly the imagined potential exhibitions but also the conversations, the
					creation of networks and the exhaustive adrenalin and power play of winning and losing.
					The gallery itself becomes transformed into lounge with 'drinks
					tables' by Goodwin and 'rest
					areas' by Padilha. The sessions will be filmed with
					techniques familiar from televised poker, with a specially constructed table allowing
					for under- and overhead footage and recordings. This
					material will be edited, projected and combined, on
					the final preview night of June 3rd, with Nicole and Leesa
					Abahuni's performative experiments in synesthesia and collaborative sound
					production. Using an arsenal of speakers, conductive
					materials, contact microphones, electronics and
					wires, the performer's hands and body interact with
					circuits producing layered sonic manifestations.
 
 Each layer within 'Coalesce' will offer alternative levels
					to experience and interact with the works presented. The gallery 
					walls, panels, ceilings and floors will literally be covered
					with works that both physically and conceptually overlap - producing a fluctuation between
					what is expected universally by an exhibition as 'comfortable'
					and what is not accepted in terms of an unprecedented singularity.
 
 
 
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