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CHAT MOSS, by Derek Hampson

Chat Moss is a large scale ceiling painting representing the
bleak marshy area known by this name,
a compact but difficult landscape situated in the north of
England between Liverpool and Manchester.
In 1826 the site was extensively surveyed in preparation for
the laying down of what was the world's
first fully functioning passenger railway,
an act of construction of great importance in the transition
from an Enlightenment to an industrial model of technology
and society.
In making this work Derek Hampson has utilised a range of
complex visual, geographical
and experiential data, collaborating
with geographer Gary Priestnall in the gathering and analysis
of this information. By translating
this material into a painting Hampson has deliberately gone
beyond the "objective"
forms of representation conventionally associated with photographic
or computer generated imagery,
taking, rather,
a phenomenological approach,
one which also has
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implications for viewers of this layered,
substantial work. Although
Hampson's and Priestnall's
research took place mainly during 2003 -
2004 the painting also incorporates important aspects of Chat
Moss's historical transformation,
making it as much a depiction of the ground-breaking
activities of the 1820s as of the state of the landscape at
the present time.
The decision to produce a ceiling painting stems from the
recognition that the apparent but deceptive power of the photograph
(particularly the aerial photograph)
is open to subversion by the metaphorically loaded device
of flipping the image by 180 degrees and raising it to the
ceiling. In doing this one
scrambles the normally fixed coordinates of up and down,
top and bottom, left and right.
Standard conditions and expectations of looking are disrupted,
requiring viewers to visually and mentally project themselves
into the image in new, arguably
more intense and engaging ways than those demanded by more
common, less ambitious painterly
forms.
Chat Moss is an Arts and Humanities Research Board and Arts
Council England funded project under its art/science
major research fellowship scheme.
[ Chat Moss Colloquium ]
[ Notes by Derek Hampson ]
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